/previous editions/2025
Award Winners for the Ghent Viewpoint Documentary Film Festival 2025 announced!
The 2025 edition of the Ghent Viewpoint Documentary Film Festival came to an end after a week of screening documentary film gems coming from Belgium and all around the world. As is tradition, the festival took place at Ghent's beloved independent cinema Studio Skoop, where guests could also enjoy a free drink at the cosy Skoop Café.
“I can proudly say the 2025 edition was once again a blast—great films, a fantastic audience, and that perfect mix of crowd-pleasers and deeply resonant arthouse cinema. The closing night was unforgettable, with Becoming Madonna drawing a massive turnout, including fans fully dressed in tribute. On the more introspective side, films like Saturn and Marching in the Dark left the audience in stunned silence, while Zaad offered a deeply intimate and raw portrait of a father through the lens of his son. Pure life—so beautiful.” says festival director Kris De Meester.
Ghent Viewpoint Documentary Film Festival is pleased to share with you this morning the award winners of 2025:
Best Documentary Feature Film:
Becoming Madonna (United Kingdom) by Michael Odgen
Best Documentary Short
Freshman (Poland) by Michał Edelman, Tomasz Pawlik
Best Experimental Documentary Film:
Object 817 (Belgium) by Olga Lucovnicova
Best Underground Documentary Film:
Methuselah (United States) by Nathan Sellers
Best Cinéma Vérité Film
Tokyo Toy Boy (Belgium) by Esli Balatova
Best Essay Film:
Compromis (Belgium) by Liza De Maeyer
Best Connecting Cultures Film:
Marching in the Dark (Belgium) by Kinshuk Surjan
Best LGBTQ+ Documentary Film:
Adult Child (Norway) by Hugo Francker
Best Hybrid Documentary Film:
It's only/not only a body... or a short film about freedom (Poland) by Michał Hytroś
Best Super Short Documentary Film
São João (United Kingdom) by Will Bentley
Best Belgian Documentary Film:
Zaad (Belgium) by Dries Meddens
Congratulations to all!
The Ghent Viewpoint Documentary Film Festival would like to thank Studio Skoop and Velvet Room for their continued support, and all guests for coming out to enjoy another week full of independent documentary cinema.
Starting today, filmmakers can submit their work to the 2026 edition of the festival: https://filmfreeway.com/viewpointdocfest. See you all next year!
/photo gallery 2025

























/official selection 2025
São João (United Kingdom) by Will Bentley
The Other Side of Despair (Switzerland) by Varsy Buchmann
Adult Child (Norway) by Hugo Francker
The Hold (United Kingdom) by JD Donnelly
Still, life (United Kingdom) by Priya Woods
Pappas Poppy (Norway) by Johanne Wilbrink
Freshman (Poland) by Michał Edelman, Tomasz Pawlik
Saturn (Spain) by Daniel Tornero
Marching in the Dark (Belgium) by Kinshuk Surjan
Methuselah (United States) by Nathan Sellers
It's only/not only a body... or a short film about freedom (Poland) by Michał Hytroś
Compromis (Belgium) by Liza De Maeyer
Zaad (Belgium) by Dries Meddens
Fields, fields, fields (Belgium) by Lucas De Cock
Cuberdon - The Curious Story of the War of the Noses (Belgium) by Frederik Van Melle
Object 817 (Belgium) by Olga Lucovnicova
Afrodite (Belgium) by Karolina Grondhal, Mirna Everhard, Piller Bebea, Ahsan Mohammod, Anantha Krishnan
Lenie (Belgium) by Floor Smessaert
Nooit rust (Belgium) by Céline Schauvliege
Tokyo Toy Boy (Belgium) by Esli Balatova
Non Person (Belgium) by Kris De Meester (out of competition)
Tangle (Belgium) by Carla Hoogewijs, Frank Stevens
I Kiss Your Hand, Madame (Hungary) by Jeremy Luke Bolatag
Georgie (United States) by Jennie Butler
Unique transport (Belgium) by Florence Boone
About You? (Belgium) by Olivier Praet
Becoming Madonna (United Kingdom) by Michael Odgen
A Human Ride (Germany) by Kristian Gründling
The wisdom of wonder, Eugenia Balcells once and again (Spain) by Luis Felipe Ruiz Benitez
Irpinia (United Kingdom) by Jameisha Prescod
New Voices in the City (Belgium) by Ekaterina Gardener